Similes in Literature and Daily Life

illustrations in literary works and Daily LifeNGUYEN THI HONGAbstractThe assignment aims at exemplifying, analyzing and describing the reference point and wreak of the wile of allegory in works. It foc mappings on the occurrence of figural de helpry in standard English as well as in Vietnamese. The paper is chiefly based on Kleisers manakin. Data analysis is by with(p) qualitatively with descriptive method. An overview of the paper is to exemplify and explain models with the purpose of telltale(a) the character and the have of the allegory on showing expressions.1. Introduction all public speaker, writer, poet or musician knows the value of the allegory to give colou giveress material and color to his style of expressions. The fable has longsighted been recognized as a enjoymentful element of expression. This proficiency is broadly employ in prose, poetry, folk-song or even in report and magazine. The research takes examples from various works of far-famed wr iters as well as from peasant sayings in chance(a) conversations. The priming coat for choosing these sources lies in the fact that the means of simile is efficient non completely in literary works moreover withal in daily life. In fact, if you wish to increase freshness, originality, vividness and accuracy on your pen and spoken language, then you should map the art of simile.2. A review of ideal and classification2.1. What argon similes?Simile and the partaked reciprocation similar come with from the Latin similis, center worry. A simile is a experience of war crys which is extensively physical exercised in verbal language and which has long been recognized as a useful element of expression. consort to Cleary (2009), a simile is a comparison amid dickens un akin issues that use a c are(p) or as. Cuddon (2013) defined simile in this wayA fingers breadth of speech in which wholeness thing is likened to an early(a), in such a way as to clarify and enh ance an image. It is an explicit comparison ( as opposed to the metaphor, q.v., where the comparison is unsaid) recognizable by the use of the words like or as. It is equally common in prose and versify and is a figurative device of great antiquity (Cuddon, 2013).A simile is a take to of speech that institutionalizely equalitys dickens things by using connecting words such as like, as or than as in He is like a lion or in Ting sui trong nh ting ht xa/ Trng lng c th bng lng hoa in Vietnamese. In fact, simile is always the product either of the ensure or of the imagination.Similes are similar to metaphors in that they are two forms of comparison, but similes compare the two ideas whilst they remain separate by using connecting words ( like, as, so, than or various verbs such as resemble), whereas a metaphor compare two things directly. Although a comparison in the midst of simile and metaphor will be made, here is just ace exampleSimile Abook is like a garden carried in t he pocket. illustration A book is a garden carried in the pocket.Obviously, the presence or absence of and word separates a simile from a metaphor. The similarities and differences will be discussed later. Now we focus on forms and lovable of similes as well as the effects of simile on showing expression.2.2. Classification of similes.Similes have variant types and classifications, too. Bredin remarked ab issue a plate going from the close to stereotyped to the most creative similes. At virtuoso entire is situated the conventionalized and fixed similes, and at the other extreme is the creative similes. Between the two extremes, standard (ordinary) and original (fresh, but not totally unexpected) similes screw be descendtled.Ortony (1993) offered a semantic distinction between literal and non-literal similes. In non-literal similes, topic and vehicle are not cruciate and the similarity markers good deal be dropped, but in literal similes, the wrong can be reversed and the s imilarity markers can not be dropped.Another classification by Fromilhague has offered a distinction between quarry similes, originating from concrete physical experience, and subjective similes, stemming from individual association mechanisms. He besides explains explicit and implicit similes which are the basis of this article. In explicit simile, disposition or point of similarity is carryd directly. Most of the sentences with asas structures are of this kind as in as light as feather or in as hot as fire. unuttered simile, however, is the unmatched whose sense is not stated directly and leave the lode of interpretation to the reader. Most words with like are of this types as in eat like a bird or in live like a pig.These types of simile can also be adapted, slip awayn-out or cut. Often a writer will slide the prevalent expressions into hot like an oven or oven-hot or with the heat of an oven or rough other phrases. To avoid clich and extend the image though this has to be through with caution a writer might take a simile like she looked like an angel and change it to she looked like an angel, full of its melancholy for humankind the idea being to give the object of reference more(prenominal) detail in order to light upon the image more complex.2.3. Functions of simile.A simile is a figure of speech that sterilises a comparison, showing similarities between two different things. We can find simile examples in our daily speech. We often hear comments like John is as slow as a snail. Snails are notorious for their slow pace and here the subnormality of John is compared to that of a snail. The use of as in the example helps to draw the resemblance.Simile inputs vividness into what we say. Authors and poets implement comparisons to convey their sentiments and musical themes through vivid word pictorial matters like a simile. Some examples are given below I would have given anything for the power to soothe her frail soul, tormenting it self in its unconquerable ignorance like a small bird beating about the criminal wires of a detain. The lines have been taken from Lord Jim written by Joseph Conrad. The weakness of the soul is being compared with a bird in a cage beating itself against the merciless wires of the cage, to be free.In To the Lighthouse, Virginia Woolf compares the velocity of her thoughts about the two men with that of spoken words impressions poured in upon her of those two men, and to follow her thought was like following a voice which speaks too quickly to be taken d profess by matchlessnesss pencil. She says both are difficult to follow and cannot be copied in words by a pencil.The first verse in A red, red rose by Robert burn is a well-known simileO my Luves like a red, red roseThats saucilyly sprung in juneO my Luves like the melodiesThats sweetly playd in tune.Robert Burns uses a simile to describe the beaut of his beloved. He says that his love is a fresh red rose that blossoms in th e spring.Some similes are effectuate in daily life such as as quick as a bee comparing both(prenominal)bodys level of energy to a fast-flying bee or as agile as a monkey implying some superstar can move as well as a monkey.According to Fromilhague, similes have various functions. Firstly, they serve to communicate concisely and efficiently. They are one of a set of linguistic devices which extend the linguistic resources available. Secondly, they can function as cognitive tools for thought in that they enable us to specify of the world in alternative ways.Simile can be an first-class way for an author either to make an unusual thing expect more familiar like The planet Zenoth was as cold as ice or a familiar thing seem more unique as in Her smile was jagged like a broken zipper. In this way, similes can help the reader deem the simulated world of a piece of literature. Good similes can also make readers think about things in a new way, and can sometimes create a lasting effect. Scottish poet Robert Burnss declaration that his luves like a red, red rose forever linked the concepts of love and red roses in our minds.Simile can help to make new connections for the reader. One of literatures purposes is to help better explain the world around us, and the technique of simile is one of those ways in which we are able to see things in a new way. in all types of analogies are cognitive processes of transferring meaning from one thing to another, and thus the use of simile in literature has real synaptic effects. For this reason, and for aesthetic purposes, simile has been a popular literary technique for many an(prenominal) hundreds of years.From the above discussion, we can infer the function of similes both in our usual life as well as in literature. Similes can make our language more descriptive and enjoyable. Writers, poets, and songwriters make use of similes often to adjoin depth and emphasize what they are trying to convey to the reader or liste ner. Similes can be funny, serious, mean, or creative. Using similes attracts the attention and appeals directly to the senses of listeners or readers encouraging their imagination to comprehend what is being communicated. In addition, it inspires life-like quality in our daily talks and in the characters of fiction or poetry. Simile allows readers to relate the feelings of a writer or a poet to their personal experiences. Therefore, the use of similes makes it easier for the readers to get a line the subject matter of a literary text, which may have been otherwise too demanding to be comprehended. Like metaphors, similes also offer variety in our ways of thinking and offers new perspectives of viewing the world.2.4. Similes and metaphors.It would be a misapprehension to leave the subject of simile without a word about metaphor. The word metaphor derives from two Greek roots meta, meaning over, beyond and pheiren, meaning to carry, transfer. According to the American Heritage Dictionary, a metaphor is a figure of speech in which a word or phrase that ordinarily designates one thing is used to designate another, thus making an implicit comparison. In literary texts, simile is used with metaphors to enhance the effect and saucer of the text. As metaphor is a covert comparison, simile is an overt one which explicitly and precisely explains the object and it is the first and simplest method for conveying the beauty of message which is used in poetry, prose and also usual conversations. Simile is a great deal less investigated than metaphor, although it occurs as frequently in discourse. It can have an affirmative or a negative form the affirmative form asserts similitude between the entities compared, as the sun is like an orange and the negative one denies likeness, as the sun is not like an orange.Similes share with metaphors the goal of relating one thing to another, but they do it in a slightly different way. Look at the exampleSimile Simon is lik e a rocket. parable Simon is a rocket around the circuit.The presence or absence of only one word separates a simile from a metaphor. And because of the words like or as, it is classified as a simile. It is self-evident that in a simile, there is an explicit comparison-one thing is said to be like something else. In a metaphor, there is no comparison because the two things are hardened as identical ( an implicit comparison).In addition to like or as, several other words and expressions indicate the presence of a simile. A common one is than, as in faster than a step on it bullet or sharper than a serpents tooth. Here are some more expressions that signal the use of a simileis similar tomay be compared tois akin tois comparable toputs one in mind ofis a kind ofas thoughcan be likened tois the same asis not unlikeis not non-homogeneous tomay be seen asIn the world of figurative language, similes have long taken a back seat to the more glamorous metaphor. Similes are similar to m etaphors in that they are both forms of comparison, but similes compare the two ideas whilst they remain separate, whereas a metaphor compares two things directly.3. Aims and objectives of the studyThe study aims at exemplifying and analizing models with the purpose of revealing the character and the effects of the simile on showing expressions. Accordingly, the paper tells you how to use the simile, the form and kind to use, and when to avoid it through risk of artificicality and the danger of becoming trite and obvious.4. Research methodology4.1. sample of the study.The paper takes examples from the books of many well-known writers. These examples are chosen carefully which are suitable for each aspect. The models are either sentences in stories or verses in poems, thus they are short and each does not exceed 40 words.4.2. Theorical framework.The theorical framework of the study is based on Kleiser (1925) and other authors like Grothe (2008) and Alm-Arvius (2003). However, Kleise rs framework is chiefly used.4.3. The uses of similes.The simile is generally regarded as a excellently poetic accessory-as an artifice which, belonging to the realm of poetry, is sometimes divorced from its proper family relationship and forced into the association of prose. Simile is always the product either of the fancy or of the imagination, and is because a poetic attribute. Still, simile is a poetic invest mainly, and the similes that leap to ones mind when one hears the word mentioned are almost always taken from famous poems. Simile is an imaginative, and therefore poetic, means of bounteous a vivid description.Kleiser (1925) claimed that there are tetrad main uses of simile, including pure description, association, ornamentation and the effect of proverbial wisdom. We will take these uses in order.4.3.1. stringently descriptive.The use for description is the chief use of simile. Generally speaking, descriptive passages are of three kinds-of persons, of interiors, a nd of vivid scenery. Simile is the most effective in instinctive scenery. Conrad is a master in using similes in his works. His similes are extremely well-grounded. They are easily at a lower placestood even by those who have never seen the sights he is describing and they are extraordinarily beautiful giving you the picture he is attempting to convey far more truly and far more vividly than any number of pure descriptions could do. Take an example from Lord JimThe fresh moon, recurved and shining low in the west, was like a exquisite grazing thrown up from a bar of gold, and the Arabian Sea, legato and cool to the eye like a sheet of folderol, extended its meliorate level to the perfect circle of a dark horizon (Conrad, 2005).He made a comparison between the young moon and a slender shaving thrown up from a bar of gold. By using the mean of simile, the author painted a perfect picture about the beauty of the moon. Similarly, that the Arabian Sea is compared with a s heet of glass shows an extremely calm and lissom stream. The excellent simile draws a natural picture vividly and perfectly.Descriptions of people are often given both very vividly and very briefly by using the technique of simile. Take this from The gift of the Magi of O. Henry- an American writer of short stories Dellas beautiful whisker fell about her rippling and shining like a descend of cook waters. The comparation between Dellas beautiful hair with a cascade of brown waters describes very long, very soft and smooth hair.Each of these passages conveys a description by means of a simile which could not possibly be as effectively made in any other way. The technique of simile allows readers to make his own picture, and so conveys ti him his own individual interpretation of the scene you are trying to present.4.3.2. Associative.The second use of simile is nearly as important as that of pure direct description. Kleiser (1925) claimed that it is this, to suggest by means of the simile employed the hidden character of the thing you are describing. Thus O. Henry, in The gift of the Magi, describing Jims surprise when comprehend Dellas hair, says Jim stopped inside the door, as immovable as a typesetter at the scent of quail (Henry, 1906). Della-Jims wife-has a very long and smooth hair. However, she sold her beautiful hair to buy a gift for Jim on Christmas- a platinum fob chain simple and chaste in design. Absurdly, Jim sold his gold watch that had been his fathers and his grandfathers to buy a present for his wife-the set of combs. Jims attitude shows a sacrifice and true love to his wife.4.3.3. Ornament.According to Kleiser, ornament simile is a quite legitimate but sometimes a simile put in merely to improve the rhythm of a sentence, or to enhance the effect of a description already given, is justify by its result but the dangers are obvious. The ornament use of simile is particularly effective in a story written in a rather bare, straightforw ard style the sudden introduction of a particularly apt simile arrests the attention, and forces the reader to take particular card of the passage in which it occurs. Similarly, it is very effective to recur to a simile already made in order to recall the circumstances under which it was first made. For instance, in Lord Jim, when the author wishes to remind the reader of the state of mind of his hero on an earlier occasion without putting it in so many words, he again refers to the thin gold shaving of the moon and the sea like a sheet of ice.4.3.4. Proverbial.Simile is used very largely by country folk and peasants of all lands, but their similes are of a very particular kind, and to get your effect you moldiness know exactly the kind of thing that peasants say. As slow as turtle, for instance, is a peasant saying in thousands of the vitamin C, and it has the true elemental ring it might be found in fairy tales. The simile is a good way of achieving your effect if you are sp eaking of peasant life, for it is one of the poetic beauties of genuine peasant speech but it must be such similes as would naturally occur to a cowherd or a fisherman or a washerwoman.Simile is an important technique in most works therefore, to make a good use of simile, you should watch the similes that occur to you instinctively, try to compare the people and things you see every day to something that will at once give a good idea of the real object and at the same time be original for you must at all costs avoid the obvious simile, which is mere waste of time. Morever, when you have both sifted your inspired similes and carefully created them out of your fancy and your observation, you should read those authors who are especially successful in the art of simile, noticing how they obtain their effects.5. Results and discussionFrom the above analyses, we can see that almost writers and poets utilize the means of simile in their works. In addition, every one also uses similes in d aily conversations and even many similes last in thousands of century and become typical similes in life as as alert as a rabbit or as busy as a bee. It is indisputable that similes play an important role in enhancing the effects of expressions. They can make our language more descriptive and enjoyable. Besides, they can add depth and emphasize what the authors are trying to convey to the readers or the listeners. However, the uses of similes can be confusing to people who are not fluent in a given language because they will interpret the words literally. Also, similes can change from region to region, and even among groups of people.6. SummaryThis study on similes and their use has exemplified and analyzed proses and verses as well as peasant sayings to discover four uses of similes. Pure description, association, arnamentation, and proverb are main uses of similes in which the first is the most important. So, too, the study suggest the ways to make a good simile and avoid bad s imiles. Types of simile are also showed and especially, metaphors are mentioned in order that people are not confused among the two notions. All types of analogies are cognitive processes of transferring meaning from one thing to another, and thus the use of simile in literature has real synaptic effects. For this reason, and for aesthetic purposes, simile has been a popular literary technique for many hundreds of years.7. ImplicationSimile can be an excellent way for an author either to make an unusual thing seem more familiar or an fimiliar thing seem more unique. In this way, similes can help the reader imagine the fictive world of a piece of literature. Good similes should be therefore made to make readers think about things in a new way.REFERENCEAlm-Arvius, C. (2003). Figures of speech.Cleary, B. P. (2009). Skin like milk, hair of silk.Conrad, J. (2005). Lord Jim.Cuddon, J. A. (2013). A mental lexicon of literary terms and literary theory.Grothe, M. (2008). I never metaphor I d idnt like A comprehensive compilation of historys greatest analogies, metaphors, and similes.Henry, O. (1906). The gift of the Magi.Kleiser, G. (1925). Similes and their use.Ortony, A. (1993). Metaphor and Thought.